Our old friend David Zucker (of Naked Gun et al fame) is on point along with the few well outlined in this bit from The Weekly Standard.
Los AngelesThough nothing yet, the website for the movie is here, and a soon to be parody of MoveOn.org here.
For anyone who has ever been on a movie set, the commotion inside Warner Brothers Studio 15 will be familiar: serious-faced actors and actresses quietly rehearsing their lines; the director of photography huddled with his assistants around two high-definition screens inside a small black tent reviewing the last scenes; extras lounging around the set trying both to stay out of the way and to get noticed; carpenters busily working to construct the set for the next scene; a frazzled first assistant director guzzling Red Bull and yelling instructions to anyone who will listen.
"Rolling," he shouts.
Others throughout the cavernous studio echo his call.
"Rolling! Quiet please!"
David Zucker is sitting in a high-backed director's chair with his name on it. (I'd always assumed they were just used for effect in movies, but here one was.) Zucker is looking at a monitor showing the inside of an empty New York City subway station. It's actually just a set--a stunning replica of a subway station--and it sits 15 feet to Zucker's right.
The first assistant director breaks the silence.
The set jumps to life. Two young men--both terrorists--enter the station. They are surprised to see a security checkpoint manned by two NYPD officers. "I'll need to see your bag, please," says one of the officers. The lead terrorist glances nervously at his friend and swings his backpack down from his shoulder to present it to the cops. Just as the officer pulls on the zipper, however, a small army of ACLU lawyers
marches up to the policemen with a stop-search order. The cops look at each other and shrug their shoulders. "This says we can't search their bags."
The young men are relieved. They smile fiendishly as they walk toward the crowded platform. As the lead terrorist once again slips the backpack over his shoulder, he mutters his appreciation.
"Thank Allah for the ACLU."
Zucker's latest movie, An American Carol, is unlike anything that has ever come out of Hollywood. It is a frontal attack on the excesses of the American left from several prominent members of a growing class of Hollywood conservatives. Until now, conservatives in Hollywood have always been too few and too worried about a backlash to do anything serious to challenge the left-wing status quo.
Jon Voight plays George Washington. Dennis Hopper makes an appearance as a judge who defends his courthouse by gunning down ACLU lawyers trying to take down the Ten Commandments. James Woods plays Michael Malone's agent. And Kelsey Grammer plays General George S. Patton, Malone's guide to American history and the mouthpiece of the film's writers.