Here's his Republican opponent.
3 hours ago
Proactively “From the Sea”; an agent of change leveraging the littoral best practices for a paradigm breaking six-sigma best business case to synergize a consistent design in the global commons, rightsizing the core values supporting our mission statement via the 5-vector model through cultural diversity.
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MR. GREGORY: Let me talk about U.S. troops. I asked you before, when we talked about this July deadline of next year, how stifling is the, the concept of this deadline and this Washington debate to what you’re trying to do here?He is trying hard to give the CINC running room - I hope he takes it.
GEN. PETRAEUS: I don’t find it that stifling. I’m not bowed over by, you know, the knowledge that July 2011 is out there. In fact, the president has been very clear, Vice President Biden’s been very clear as well, more recently, that this is a date when a process begins that is conditions based. And as the conditions permit, we transition tasks to our Afghan counterparts and to security forces and, and in various governmental institutions, and that enables a “responsible drawdown of our forces”…
Let me point out one other item about July 2011 if I could. Because what I have often noted was that in the speech that the president made at West Point, there were two messages. One was a message of substantial additional commitment, additional 30,000 troops, again more civilians, more funding for Afghan forces, authorization of 100,000 more of them and so forth; but also a message of increased urgency. And that’s what July 2011 really connotes. It is to all the participants, those in Kabul, some of us in uniform, again our civilian counterparts, that we’ve got to get on with this, that this has been going on for some nine years or so, that there is understandable concern, in some cases frustration, and that, therefore, we’ve got to really put our shoulder to the wheel and show during the course of this year that progress can be achieved. And, and, again, one manifestation of that is out there that you have this date.

This is complete madness. Like a lot of these things it boils down to one or two things:It is even worse.
1. The designers, politicians, and judges are completely ignorant rubes who were not homeschooled by Anne and therefore have no knowledge of history, symbols and propriety.
2. The designers knew exactly what they were doing and the politicians, judges and citizens are so paralyzed by political correctness and afraid of being called nasty names that they cannot and will not stop this affront to decency.
I don’t buy #1. Say what you want about the designer’s politics, but they are not ignorant and uneducated. My next travel claim is on #2.
The Caliphate of Córdoba (Arabic: خلافة قرطبة Khilāfat Qurṭuba) ruled the Iberian peninsula (Al-Andalus) and North Africa from the city of Córdoba, from 929 to 1031. This period was characterized by remarkable success in trade and culture; many of the masterpieces of Islamic Iberia were constructed in this period, including the famous Great Mosque of Córdoba. In January of 929, Abd-ar-Rahman III proclaimed himself Caliph (Arabic: خليفة) of Córdoba in place of his original title Emir of Córdoba (Arabic: أمير قرطبة 'Amīr Qurṭuba). Abd-ar-Rahman III was a member of the Umayyad dynasty; the same dynasty who held the titles of Emir of Córdoba since 756. The rule of the Caliphate is known as the heyday of Muslim presence in the Iberian peninsula.I love NYC - not an easy thing for a Southerner to say. NYC, however, is ruled by fools.
For years, Pacific Command—which oversees all American military operations from the west coast of America to the east coast of Africa—has talked more about "dialogue" with China than the threat the country's opaque military build-up presents to America and its allies. That view largely echoed the stance of their civilian bosses, from Presidents Reagan to George W. Bush.Serious, sober thinking. Asia isn't waiting.
No more: In Congressional testimony earlier this year, new Pacific Command chief Admiral Robert Willard noted China's "unabated" military buildup and concluded that it appeared "designed to challenge our freedom of action in the [Asia-Pacific]." Admiral Mike Mullen, the Chairman of the Joint Chiefs of Staff, said last month that he's "moved from being curious" about what China is doing, "to being concerned about what they're doing." And new Pacific Fleet Commander Patrick Walsh said that China is putting the South China Sea's vital trade routes "at risk" over its various territorial claims.
Many U.S. officers and senior civilian employees at Pacific Command with whom I spoke last week agree with this view. Now they want their bosses in Honolulu and Washington to back up their talk with action so that the U.S. doesn't "give up any water space" to China. They cite, in particular, China's territorial claims over the South China Sea; its illegal seizure of Philippine and Vietnamese islands; and its skirmishes with fishing boats off the coast of Indonesia and Vietnam.
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There needs to be a firmer push for trilateral and quadrilateral meetings among America and its closest partners in the region, including Japan, South Korea and Australia. The meetings should focus on core security issues such as missile defense, antisubmarine warfare and surface patrols. Simultaneously, Washington needs to forge more strategic ties to Indonesia, Vietnam, Malaysia and other countries worried about China's rise and who occupy geostrategically important locations.

U.S. Navy of 1915 (1915)My favorites? Swim call while taking on stores. PT - and the fact they worked in what we now call a dress uniform.
Production Company: Lyman H. Howe Company. Transfer Note: Digital file made from a 35mm negative. Running Time: 11 minutes (silent, no music).
We are indebted to independent scholar Charles “Buckey” Grimm for identifying this 11-minute piece of the celebrated “lost” three-reel documentary U.S. Navy of 1915, produced by the Lyman H. Howe Company. (The piece had formerly been known only as “U.S. Navy Fragment.”) The film was made with the full support of the Secretary of the Navy, Josephus Daniels, who believed in the power of motion pictures to convince isolationists of the importance of building a strong American navy. A former newspaperman who knew the value of publicity, Daniels allowed Howe’s camera crew remarkable shipboard access. The results show sailors as they go about their day—doing repairs, cleaning the deck, exercising, as well as demonstrating naval might. The film drew praise as capturing “the pulse-beat of the complex life that throbs through our dreadnoughts from reveille to ‘taps.’”
This was not first time the Navy had turned to film to tell its story. Early on, the Navy had collaborated with the Biograph Company on a now-lost series of 60 short films showing sailors and officers at work. The series screened at the 1904 St. Louis World’s Fair and 1905 Lewis and Clark Centennial Exposition in Portland before being put to use in a Midwest recruitment tour. Naval facilities and ships also figured prominently in early newsreels and narratives. The service took care to ensure that depictions presented it in a favorable light and reserved the right, for commercial films shot with official approval, to reuse them for the Navy’s own purposes.
Buckey identified the fragment through careful detective work involving the ships and ordnance on display in the fragment. For example, the “E-2” class submarine, pictured in the opening scene, was taken out of service in 1915, and the shells mentioned in a intertitle—“It costs the U.S. government $970.00 for each 14 inch projectile fired”—were added to the naval arsenal the year earlier. The clincher was matching a frame from the documentary with an image used in a newspaper piece to illustrate the Howe film. Buckey reported his research at the 2010 Orphan Film Symposium at New York University.
Born in Wilkes-Barre, Pennsylvania in 1856, Lyman Hakes Howe got his start as a traveling salesman. In the 1880s he switched to lecturing and demonstrated a miniature working coal mine on the road. When movies came along, he was among the first to make the transition. He devised his own projector, the Animotiscope, which upgraded the Edison machine by adding a second reel, and playing a phonograph to add sound. Soon he was making his own travelogues and newsreels. Little survives of his output other than this fragment.
About the Preservation
The National Film and Sound Archive of Australia generously lent the nitrate print to make the preservation copies. Edge codes on the source material date from 1917, suggesting this print of an earlier film may have been distributed to demonstrate American naval strength after the United States entered World War I. New prints are available at the Library of Congress and the NFSA.