I am neither an activist, politician or partisan, nor an ideologue of any stripe. What I am is a writer who takes his job very seriously, as do most of my colleagues: Also, one who recently took on the most distressing and important story it will ever fall to me to tell. I considered it a privilege when asked to write the script for "The Path to 9/11." I felt duty-bound from the outset to focus on a single goal--to represent our recent pre-9/11 history as the evidence revealed it to be. The American people deserve to know that history: They have paid for it in blood. Like all Americans, I wish it were not so. I wish there were no terrorists. I wish there had been no 9/11. I wish we could squabble among ourselves in assured security. But wishes avail nothing.Read the whole thing.
My Iranian parents fled tyranny and oppression. I know and appreciate deeply the sanctuary America has offered. Only in this country could a person such as I have had the life, liberty and opportunity that I have had. No one needs to remind me of this--I know it every single day.
It would have been good to be able to report due diligence on the part of those who judged the film, the ones who held forth on it before watching a moment of it. Instead, in the rush to judgment, and the effort to portray the series as the work of a right-wing zealot, much was made of my "friendship" with Rush Limbaugh (a connection limited to two social encounters), but nothing of any acquaintance with well-known names on the other side of the political spectrum. No reference to Abby Mann, for instance, with whom I worked on "10,000 Black Men Named George" (whose hero is an African-American communist) or Oliver Stone, producer of "The Day Reagan Was Shot," a film I wrote and directed. Clearly, those enraged that a film would criticize the Clinton administration's antiterrorism policies--though critical of its successor as well--were willing to embrace only one scenario: The writer was a conservative hatchetman.
In July a reporter asked if I had ever been ethnically profiled. I happily replied, "No." I can no longer say that. The L.A. Times, for one, characterized me by race, religion, ethnicity, country-of-origin and political leanings--wrongly on four of five counts. To them I was an Iranian-American politically conservative Muslim. It is perhaps irrelevant in our brave new world of journalism that I was born in Boulder, Colo. I am not a Muslim or practitioner of any religion, nor am I a political conservative. What am I? I am, most devoutly, an American. I asked the reporter if this kind of labeling was a new policy for the paper. He had no response.
..."The Path to 9/11" was set in the time before the event, and in a world in which no party had the political will to act. The principals did not know then what we know now. It is also indisputable that Bill Clinton entered office a month before the first attack on the World Trade Center. Eight years then went by, replete with terrorist assaults on Americans and American interests overseas. George W. Bush was in office eight months before 9/11. Those who actually watched the entire miniseries know that he was given no special treatment.
It's good to have come to something approaching the end of this saga, whose lessons are worth remembering. It gave us, for one thing, a heartening glimpse (these things don't come along every day) of corporate backbone in the face of phenomenal pressure--and an infinitely more chilling one testifying to the power and reach of politically driven hysteria. A ripe subject for a miniseries, if ever there was one.
Monday, September 18, 2006
Not Andrew McCarthy - but (nosomuch)Tailgunner Joe. Check out what the Clinton Commissariate has done to CYRUS NOWRASTEH, the writer of the screenplay for Path to 911.